The American War exhibition opening at ARTS at King Street Station
January 24, 2020
February 6 – March 21, 2020 at ARTS at King Street Station
Opening reception Thursday, February 6, 2020, 5 – 7 p.m.
The American War will be on view at ARTS at King Street Station February 6 through March 21, 2020. Artists Pao Houa Her and Sadie Wechsler designed the exhibition taking inspiration from layout of an archives’ research room. It features photographic and video works, both created and found by the artists, that expose the legacy and residue that remains in Southeast Asia and the United States in the aftermath of what is known stateside as the Vietnam War.
The American War, which is the common name used for the Vietnam War (1955 – 1975) in Southeast Asia, caused more than 3 million casualties and a legacy of lasting trauma for the people and the lands of Vietnam, Laos, Cambodia, and the United States. The war also contained conflicts in countries outside of Vietnam, including The Secret War in Laos. The Secret War, run by the CIA and executed by the US Air Force, ravaged over 30 percent of the countryside, contributed to nearly half-million Lao refugees. To this day unexploded ordnance in Laos is still detonating, taking life and land from the folks in the countryside. Her and Wechsler look at the scar of these wars and how they continue to shape lives and land across the world.
“We invite visitors to enter our place of research, to examine the
complicated connections, and the rippling effects of war on the people and the
countries that have been impacted,” says Pao Houa Her and Sadie Wechsler. “We
also are addressing how openness, curiosity and dialogue are catalysts for new
and deeper relationships and learning.”
The exhibition will consist of over 40 objects including contemporary
photography by Her and Wechsler, historical images, poetry and video for
visitors to explore. Her and Wechsler created and collected materials,
including works from the National Archive in Washington, D.C., that reflect the
life altering effects the war continues to have on the people who lived in the
region – especially the Hmong people from Laos. Accompanying the exhibition,
the artists have produced a double-sided poster featuring artwork by both
artists, alongside a commissioned poem by Hmong American poet May Lee Yang.
This publication is free for all who attend the show.
Pao Houa Her works across multiple genres and technologies
of photography to address Hmong identity and related notions of desire and
belonging within the Hmong American community. Her was
born in the northern jungles of Laos in 1982. With her family she fled
the conflict resulting from the American War in Vietnam – like many others, by
crossing the Mekong River on her mother’s back. After living in refugee camps within Thailand’s borders, Pao and her
family were sent to the United States in 1986.
In conversation with Her’s images are
Wechsler’s photographs. They are evidence of Wechsler’s
attempts to understand and ultimately take responsibility for the continued
bloodshed of the United Sates. She visits museums, sites of death, and
locations of memorial in Laos and Southeast Asia to have a glimpse into how the
United State’s wars are felt after they are “finished.” Wechsler also engages
in military archives in the US to visualize state sanctioned impacts of these
wars. Friends and collaborators, Her and Wechsler
met through the MFA photography program at Yale. Together Her and Wechsler
visited Laos, where they initiated a conversation that both dissected and
complicated their different relationships to the global impact of the war. This
show is the first physical manifestation of their ongoing dialogue.
Pao Houa Her was born in 1982 in Laos, and was raised in Saint Paul,
MN. She currently lives in the Twin Cities region. She received a MFA in
Photography from the Yale University School of Art, New Haven, CT in 2012 and a
BFA in Photography from the Minneapolis College of Art and Design in 2009. Her
received a Jerome Fellowship for Emerging Artists in 2013 and was awarded
Initiative Grants from the Minnesota State Arts Board in 2009 and 2012. She
also received an Alice Kimball Fellowship in 2012.
Sadie Wechsler (born in Seattle) received a BA from Bard College in
2007 and an MFA from Yale School of Art in 2013. Her work has been show
nationally and internationally and was included in Format Festival England and
Beijing. She has been included in group shows at Aperture Gallery, Belfast
School of Art, Photoville, and Newspace Center for Photography, and has had
solo shows at DeSoto Gallery and Gallery 4Culture. Wechsler has received the
Delivan grant from Bard College and the smArt Ventures Grant from the City of Seattle.
She has been an artist in residence at Anderson Ranch Art Center and the Arctic
Circle Expedition. In 2016, she self-published her first monograph Part I:
Redo and her work can be found in the collections of the Yale University
Library, the Hammer Art Museum, the Getty Research Institute and the King
County Portable Collection.
ARTS at King Street Station is a new kind of cultural space where
communities of color have increased opportunities to present their work and be
seen and heard. Grounded in community leadership, the public programming and
cultural space on the third floor of King Street
Station are incubators for artists and communities, experimenting with the best
ways to respond to the cultural needs of an ever-changing city. A cohort of King
Street Station Advisors select and respond to community exhibition and
programming ideas. ARTS’ goal for King Street Station is to be a resource for
the city and the embodiment of the Office’s commitment to racial equity.
Admission is free, Tuesday through Saturday, 10 am – 6 pm, First Thursdays, 10
am – 8 pm.
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Contact me directly at [email protected] with any questions, or to schedule speaking engagements.